It’s a plus if you and your students are studying puppetry, but it’s not necessary to have done so. The military has its own language, with many short ways of saying long things. How can questions be the most important re-write tool. Today we’ll be talking a question that I know the answer to but why should anyone else? Let Me In by Sholeh Wolpé is a must-read drama for high school and middle school students. This exercise can be done in person or via distance learning. Lindsay Price is the Vice President of Theatrefolk Inc. and the co-creator of the Drama Teacher Academy. Keep the general structure of a traditional classroom lesson. There's a problem loading this menu right now. Sophoclese, Euripedes, and Euphorion do some smack talking before the Dionysia of 431 BCE. Lindsay Price is the Vice President of Theatrefolk Inc. and the co-creator of the Drama Teacher Academy. What is the one thing you want to know about your script? I want you to start writing, keep writing, get writing done. She was the adjudicator/ workshop leader for Durham Minifest and will act as the 2016/2017 preliminary adjudicator for the Western Ontario Drama League. www.bluthemes.com. I have been a professional playwright for nineteen years and write plays for the school market through my company Theatrefolk. What is the frozen north to do when evil wakes […], Theatrefolk Featured Play – Virtual Family by Christian Kiley, Welcome to our Featured Play Spotlight. Why does the world of the play matter? Something went wrong. Who needs to go outside when you’ve got a screen to show you what outside should look like? Most recently, Lindsay participated in the Uth Ink Program as a playwright mentor, and her play BEAUTY AND THE BEE won the TADA! This comes not only with new ways of approaching teaching, testing, and creating experiences for students, but also with new safety concerns for students […], Theatrefolk Featured Play – Jane Austen, Completely Zoomed by Treanor Baring, Welcome to our Featured Play Spotlight. Put a question mark beside anything you don’t like. Lindsay Price is the resident playwright for Theatrefolk. billing@theatrefolk.com, Drama Teacher Academy Support This game requires no props (although students can use found objects if they wish), and can be done virtually on an online platform such […], Theatrefolk Featured Play – Commence by Christian Kiley, Welcome to our Featured Play Spotlight. How do you give feedback as a tool to process you receive? ). It can be just as challenging trying to deal with disruptions in the virtual classroom, because you’re not physically there with them. Circle anything that does flow. If […], Here’s a warm-up game that is a lot of fun and gets students’ energy up. The goal of the panel is to advise and comment (and other functions as reasonably determined) on specific initiatives. The staff of HowlRound Theatre Commons at Emerson College wish to respectfully acknowledge that our offices are situated on land stolen from its original holders, the Massachuset and Wampanoag people. Cassandra (the Trojan prophetess no one believes) is here to be your Greek mythology tour guide. Her plays are regularly performed in schools across Canada and the United States with upcoming productions in Nebraska, Lethbridge, Georgia, California, New Hampshire and Florida. In […], Keeping students focused and engaged is challenging enough in the drama classroom. Get Writing Now with these playwriting exercises. Virtual Family by Christian Kiley examines our relationship with and dependence on technology. Lindsay Price offers a meditation about working as a professional playwright for the school market. How do you prepare to receive the best possible feedback? Welcome to Arctic Adventure Theatre! Argument. But first, let’s do some THEATREFOLK NEWS: how … My adaptation of Edgar Allan Poe stories – The Tell Tale Heart and Other Strangeness premiered at St Roch Secondary School in Brampton Ontario. This collection is a drama teacher’s dream! She regularly teaches playwriting workshops at conferences and festivals. Lindsay Price is the resident playwright for THEATREFOLK, a publisher of playscripts and educational resources for schools and student performers, and co-creator of the DRAMA TEACHER ACADEMY. Canada, the US and overseas. It is intended to be performed in a video conference call or meeting, and is specifically geared toward actors who are not in the same physical space. Although teaching drama online is challenging because of the physical disconnect […], Theatrefolk Featured Play – Myth-o-logues by Janice Harris, Welcome to our Featured Play Spotlight. Our own Lindsay Price had the fun opportunity to sit down with playwright Krista Boehnert, who has 2 featured plays this month. © 2020 Dramatists Guild of America, Inc. 1501 Broadway, Suite 701 - New York, NY 10036; Privacy Policy Terms of Service Terms of Service Jane Austen, Completely Zoomed by Treanor Baring s a fast-paced, witty modern take on Austen’s six classic masterpieces. in a variety of themes and lengths. Pick and choose from this must-have collection of monologues from Greek Mythology’s greatest characters. Proudly powered by WordPress, Applications for the 2018-2019 Writers Alliance Grants, Agatha Christie’s Murder on the Orient Express Adapted for the Stage by Ken Ludwig Now Available for Licensing, Ease On Down the Road: 10 Things You Didn’t Know About THE WIZ, 25 Years Later: Steve Martin’s Picasso at the Lapin Agile, 5 Things I Learned from Performing in Peerless by Jiehae Park, Playfest Travelogue: Alley All New Edition, Photo Journal: ELEGIES Concert at Birdland, Playwriting Power: Highlighting Student Voice. www.bluthemes.com. Ads are everywhere, and their main purpose is to sell us stuff. Help us improve our Author Pages by updating your bibliography and submitting a new or current image and biography. Great for in-class and online study and performances! What do you want the audience to remember when they leave? What problems are you having with your script? Copyright © 2016 Samuel French, Inc. Such a busy fall! Argument. She has been a playwright for seventeen years and written over 50 plays for the youth market. This year she taught workshops at the International Thespian Festival, The Educational Theatre Association National Conference, the Texas Educational Theatre Association Conference, and the Southeastern Theatre Conference. She writes specifically for schools and student performers, averaging three hundred productions a year in schools across Canada, the United States, and overseas. help@theatrefolk.com, Billing / Accounting Questions Create a character profile for your main characters. Can you concisely describe the work from beginning to end? Lipdubs are commonly seen on YouTube as musical performances, but they can also be created for spoken scenes, which is what this exercise focuses on. by Alan Haehnel is a thought provoking and powerful piece in a docu-theatre style.